Earthling eddie vedder12/31/2023 “There’s a piano at Abbey Road Studios that The Beatles used and it’s still there,” Klinghoffer tells Billboard. It is also the same model Watt has in his own home studio. Mills,” a beautiful ballad in the vein of Paul McCartney’s work with Elvis Costello on Spike and Mighty Like A Rose that serves as a tribute to the actual piano the Fabs used to record with at Abbey Road. Perhaps the most telling covers are the pair of sweet salutes to George Harrison they performed in Newark, a cover of “Here Comes The Sun” and their debut of a stirring rendition of the All Things Must Pass all-timer “Isn’t It A Pity.” No other song on Earthling is more indicative of the heavy Beatles vibe than “Mrs. That was one of the greatest moments of my life, going up to Seattle and just listening to records with him.” And I never imagined Eddie really listening to that kind of production or anything. He has a real appreciation for this particular sound and Peter Gabriel and all this great stuff where rock music developed or what it turned into in the ’80s. Obviously, he likes Pete Townshend, but then we started talking about the guys he had on his albums in the ’80s who went on to be in Big Country. But doing this record with him, we talked a lot about it. “I always think of him as liking The Who and then Minutemen and Fugazi and stuff like that. “I didn’t know until doing this album with Eddie how much he was into music from that period in the mid-to-late ’80s,” he remarks. He opted to toss tambourines into the crowd instead.įor Klinghoffer, learning this crazy array of covers proved to be a master class in music appreciation with a man who has guided his tastes since he was a kid. A bunch of Pearl Jam songs, you name it.”Īt NJPAC, Eddie and the boys gave the crowd, “Wishlist,” the early fan favorite “Dirty Frank” and an unglued run-through the longtime PJ concert staple “Porch,” which found Vedder prowling around the stage looking for something to climb up like he used to do 30 years ago. “We have a revolving door of covers,” explains Smith, on the phone from his home in Los Angeles before heading to New York for the Earthlings’ two-night stand at The Beacon Theatre. Here's hoping.Eddie Vedder Heats up Feud With Motley Crue With Drumkit Diss If we British fans get given a solo tour too, these songs will no doubt ignite in a live setting. This is Vedder and his most loose and carefree, and in many ways, that alone is worth the price of admission for long-time followers. The noise only a bunch of old-hands eager to cast their worries off could have made. Still, 'Earthling' sounds like precisely the kind of album Vedder wished to make. Trippy swing-infused coda 'On My Way' also impresses and makes you wish that a few more moments of reprieve or experimentation were featured. Mills' has a real Aimee Man meets McCartney vibe – and with Ringo featuring on the album that tracks. The previously mentioned 'Brother of Air' has enough grit and passion to stand out, and the sweet 'Mrs. Everyone is bringing their A-game, and they're having a blast while doing so, but nothing entirely sticks to the ribs. While a fun and energetic record, much of the songwriting falls into the somewhat forgettable. His mumbled rage still brings a tingle up the spine. Nowhere is this better seen than on single 'Brother the Cloud,' Vedder unleashing the demon all over the outro. Vedder himself has never sounded better, his soulful croon erupting over hooky choruses and thrashy breakdowns. It's organic but punchy as hell while still glimmering with a bit of pop sheen. With Grammy award-winning producer Andrew Watt (Dua Lipa, Ozzy) at the helm, 'Earthling' is very much an album to be blasted from your car stereo as you sing along.
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